The Process
Every print in the catalogue starts in the field and ends on a wall, made to order. This is the process in between.
The capture
Each piece begins with exploration: hours over maps, location scouts, and long walks in to places that people cherish. Stephen photographs on medium format, a discipline carried over from his film years on a Mamiya 7, where every frame had to be chosen with care. The capture waits for the light, the weather and the moment to agree.
Black and white
The catalogue is fully black and white. Removing colour simplifies each scene to mood, texture and tone, and those contrasts are what carry the emotional connection. Each file is edited by hand to bring out that structure before it goes anywhere near a printer.
Two finishes
Floating frame metallic canvas. The image is printed on a metallic canvas surface and set inside a timber float frame, available in six colours: black, white, natural, brown, antique gold and antique silver. The float mounting leaves a fine shadow line between canvas and frame.
Frameless acrylic glass. The print is finished under glass-clear acrylic with a high gloss surface, mounted on a hidden back frame that floats it just off the wall. Clean edges, no visible fixings.
Made to order
Nothing sits in a warehouse. Each piece is produced when you order it, over 5 to 7 business days, then shipped tracked and free worldwide. Both finishes arrive ready to hang. If your order arrives damaged or defective, it is replaced at no extra cost or fully refunded.